Concerts
Sacred & Profane
Guillermo Salas-Suárez Guest Curates this program exploring mystical and erotic inspiration in 17th-century repertoire, including works by Chiara Margarita Cozzolani, Heinrich Biber, and Dietrich Buxtehude. Soprano Andréa Walker, violist Caroline Nicolas, and harpsichordist Byron Schenkman join him to bring these intense and dramatic works to life.
*Note: The venue and date are incorrectly labeled on the season brochure. Our apologies for the error.
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Program
Sonata a 2, BuxWV 272
by Dietrich Buxtehude (1637-1707)
Allegro – Adagio – Allegro
Prelude III from Pièces de clavecin
by Jean-Henri d’Anglebert (1629-1691)
Sonata X ‘Crucifixion’ from Mysterien-Sonaten
by Heinrich Ignaz Biber (1644-1704) Praeludium – Aria – Variatio
“Lamento della Virgine” from Produzioni armoniche
by Antonia Bembo (c.1640-c.1720)
“Maddalena alla croce” from Primo libro d’arie musicali
by Girolamo Frescobaldi (1583-1643)
Sonata Violino Solo
by Georg Muffat (1653-1704)
Adagio – Allegro – Adagio – Allegro – Adagio
“O quam bonus es” from Salmi a 8 voci concertati, Op. 3
by Chiara Margarita Cozzolani (1602-c.1678)
Musicians
Andréa Walker
Voice
Guillermo Salas-Suárez
Violin
Guest Curator
Caroline Nicolas
Viol
Byron Schenkman
Harpsichord
Pay-as-you-wish tickets made possible in part thanks to 4Culture Public Free Access Grant
Notes on the Program
By Guillermo Salas-Suárez
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